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"Clémentine"
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автор:
жанры: french, jazz, lounge
альбомы: Avec
Chuck E's Ub Kive
автор:
Clémentine
жанры: french, jazz, lounge
альбомы: Avec
рейтинг: ★★★★★ / 5.6 / 1572 просмотра
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How come he don't come and PLP with me Down at the meter no more? How come he turn off the TV? And he hang that sign on the door?We call and we call "How come?" we say What could make a boy behave this way?So he has learnt all of the lines now And every time, he don't stutter when he talks It's true! It's true! He sure is aquired a cool and inspired sorta jazz when he walks Where's his jacket and his old blue jeans? This ain't healthy this is some kinda clean?I think Chuck E.'s in love Chuck E.'s in love Chuck E.'s in love Chuck E.'s in loveI don't believe what you're saying to me This is something I have to seeIs he here? I look in the poolhall Is he here? I look in the drugstore Is he here? No, he don't come here no moreI'll tell you what, I saw him He was sitting behind us down in the pantages And whatever it is that he's got up his sleeve I hope it isn't contagiousWhat's her name? Is this her there? Christ, I think he's even combed his hair Is that her ? What's her name? Oh, it's never gonna be the sameBut that's not her I know what's wrong Chuck E.'s in love With the little girl who's singin' this song Don't you know? That Chuck E.'s in love Chuck E.'s in love Chuck E.'s in love oh my Chuck E.'s Chuck E.'s in love Chuck E.'s in love with me
Это интересно:Claude Bolling (born 10 April 1930), is a renowned French jazz pianist, composer, arranger, and occasional actor.He was born in Cannes, studied at the Nice Conservatory, then in Paris. A child prodigy, by age 14 he was playing jazz piano professionally, with Lionel Hampton, Roy Eldridge, and Kenny Clarke. Bolling's books on jazz technique show that he did not delve far beyond bebop into much avant garde jazz. He was a major part of the traditional jazz revival in the late 1960s, and he became friends with Oscar Peterson.He has written music for over one hundred films, mostly French, starting with the score for a 1957 documentary about the Cannes Film Festival, and including the... продолжение
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